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The Sound of History
Beethoven, Napoleon and Revolution
Australia
Composer & Citizen: Chamber Landscapes / Heath Quartet
UK
The Heath Quartet are unabashed evangelists for Tippett’s five mighty but shamefully overlooked contributions to the genre and in each of their three concerts they explore their connections to those of his compositional idol, Beethoven.
In the Second (1942) written just after A Child of Our Time, we hear the composer’s distinctive, recently discovered voice in full flower. Conceived in the midst of a devastated London (whilst Head of Music at the bomb ravaged Morley College) there is anguish in the slow movement fugue-so reminiscent of Opus 131-but the work is characterised by remarkable energy and at times ecstatic optimism. A new found confidence vis-à-vis his sexuality and pacifist convictions, intense, life-defining Jungian therapy sessions, and the first flush of his relationship with artist Karl Hawker, his lover for the next 25 years, all inform this deeply personal statement.
Beethoven’s Op.18 No.3 is actually his first quartet. It’s the sunniest and most tender of this early set, written in a spirit of homage to, and competition with, his teacher, Haydn. While it very rarely strays from major keys, it plays with “light” and “dark” string colours (the slow movement stumbles upon the forbidding E-flat minor at one point) and some unorthodox modulations go even further than his “Papa” dared.
PROGRAM
Tippett: String Quartet No.2
I. Allegro grazioso
II. Andante
III. Presto
IV. Allegro appassionato
Beethoven: String Quartet No.3 in D major, Op.18 No.3
Allegro
Andante con moto
Allegro
Presto
11.30am Roomful of Teeth
12.30pm Lunch (not included in Day Pass)
4.15pm Talk: The Composer's Voice
6.45pm Dinner, bookings essential (not included in Day Pass)
6:45pm Sunset: A Guided Experience (not included in Day Pass)